| Following the production slump of the 1970's, it was perhaps inevitable that the Oscar triumph of Chariots of Fire (1981) was taken as a sign of a resurgence in British Cinema. At the 1982 Oscar ceremony Colin Welland optimistically announced that 'the British are coming', but could British Cinema of the 80's live up to the promise? A 'renaissance' can apply on a number of levels; in terms of production, the number of films Britain produced increased in the latter half of the decade; in terms of style, British film won many international awards; in terms of cinema attendance, this too rose from 1985 onwards. But does an upturn in the fortunes of British cinema really count as a 'renaissance'. Also, with the changing methods of financing British film and film-makers being forced to appeal to international audiences, how much of Britain's celebrated 80's output could be truly called British? |