the british film resource
    

 
the british film resourceHumphrey Jennings and Third Cinema.
the british film resourceAuthor:Tomas Leach 
 
 
A Fresh Framework A Fresh Framework
The Propaganda Master The Propaganda Master
Fires Were Started Fires Were Started
Oppositional Cinema Oppositional Cinema
A National Cinema A National Cinema
The Patriot The Patriot
Narrative Deconstruction Narrative Deconstruction
Listen to Britain Listen to Britain
The Listener The Listener
Narrative / Non-narrative Narrative / Non-narrative
Conclusion Conclusion
 
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The Propaganda Master
"Jennings the propaganda master" (Winston , 1999, pp37). That Jennings was officially a propagandist is an indisputable fact. His key wartime films were all made under the Crown Film Unit (CFU), after its change from the former GPO film unit upon its absorption by the Ministry of Information when they (rather late in the war) acknowledged (or warily trusted?) the power of the propaganda film. Jennings and his colleagues at the C.F.U were all knowingly and professionally producing films for the government. Although not a form of 'direct' propaganda, but a form of 'sociological'/'indirect' propaganda as outlined by Jacques Elul, Jennings' films cannot be ignored as substantial works "The ground must be sociologically prepared before one can proceed to direct prompting. Sociological propaganda can be compared to ploughing, direct propaganda to sowing". The films that Jennings was making, then, hold a contradictory stance. They are clearly made as propaganda, and are, at their most simplistic, powerful evocations of the British (although predominantly English and Welsh) people's strength during war. For me, however, they are even more powerful as anti-war statements, directly oppositional to the government's stance, directly oppositional to the politics that commissioned them and therefore a true example of Third Cinema.
 
Fires Were Started